Author Archives: Bev Vincent

The First Energy Crisis by Bev Vincent

Historical Context Essays

We have to go back in time again to discuss the genesis of King’s tenth published novel, his third under the Richard Bachman pen name. In 1973, he finished the first draft of ‘Salem’s Lot (known as Second Coming at the time). Carrie was slated for publication the following spring. However, his mother, Ruth, died in December of that year after a long and painful illness. She knew her son would be published, but never got to see it happen.

Roadwork by Richard BachmanHer death left King grieving and shaken by the apparent senselessness of how cancer had tormented her. In an effort to work through his thoughts and feelings about this loss, he started writing Roadwork. The book has a number of autobiographical aspects. The protagonist, Barton George Dawes, has recently lost a family member to cancer. Like King, who memorialized the experience in his short story “The Mangler,” Dawes worked at an industrial laundry. In fact, the company has the same name in both stories: The Blue Ribbon Laundry, and the ironing machine in Roadwork is nicknamed “the mangler.” Anyone who suspected that Bachman was really King would have their smoking gun from these details alone[1].

Roadwork was also an effort to write a straight novel, i.e. one that would not be classified as horror or science fiction. In the essay “Why I was Bachman,” King says he was young enough at the time to worry about the “casual cocktail-party question” about when he was going to write something “serious.” » Read more

11 comments , ,

A Pleasure To Burn by Bev Vincent

Historical Context Essays

FirestarterFirestarter arose from research Stephen King had been doing into psychic phenomena, specifically, pyrokinesis[1]. He read about spontaneous human combustion and other bizarre incidents. In one case that he has mentioned on several occasions, a boy started to burn while the family was at the beach. His father dunked him in the water, but he kept on burning and died from his injuries, with his father sustaining serious burns on his arms. King has admitted to a fascination with fire, referring back to one of his favorite characters, Trashcan Man from The Stand, who loves to start fires, the bigger the better. King wanted to explore what might happen to a person who had the ability to start fires with his or her mind and could control it.

Then he thought about people taking part in psychology experiments who unwittingly received drugs like LSD. He envisioned such a drug turning people telepathic and causing a genetic mutation that allowed the test subjects to pass this talent on like “the Wyeth people hand down artistic talent.” » Read more

10 comments , , , , , , , ,

The Wheel of Fortune by Bev Vincent

Historical Context Essays

The Dead ZoneThe end of the 1970s saw a change in direction for Stephen King. He switched publishers and, for the first time, had a literary agent. He met Kirby McCauley at a publishing party in 1976, but didn’t sign up with him right away. When he and Doubleday reached an impasse on a contract for his next few books, despite internal support from Bill Thompson, he consulted McCauley, who suggested offering the books to NAL, his paperback publisher. NAL met his demands and sold the hardcover rights to Viking. The deal was big news, reported in Publishers Weekly[1].

His first book at Viking was a change of pace, too. King considers The Dead Zone to be science fiction, unlike the fantasy/horror of his previous books. The Stand was meant to be a “summing up” of what he’d done to date, and it was time to move on to something different. » Read more

16 comments , , , , , , , , , , ,

Only Death Can Keep You From the Finish Line by Bev Vincent

Historical Context Essays

thelongwalk-bookcoverIn an endnote in the chapter about The Stand in The Art of Darkness, Douglas E. Winter mentions a dystopian novel called The Long Walk “which owes much to Stephen King.” Was this an inside joke between King and Winter, who had interviewed King extensively for the book, or an astute observation on Winter’s part? Winter does talk about The Long Walk briefly in The Art of Darkness as one of King’s early novels, but without identifying the book by name.

King wrote The Long Walk in the fall of 1966 and the spring of 1967 when he was a freshman at the University of Maine. The story was inspired by a series of 50-mile hikes throughout the country that were sponsored by radio and TV stations. King didn’t have a car at the time and the idea for the story occurred to him while he was hitchhiking back home one night. “I was hitchhiking everywhere,” he says on his website. “I didn’t finish my 50-mile hike, though. I fell out after 20 miles.” » Read more

9 comments , , , , , , , , ,

Good vs. Evil by Bev Vincent

Historical Context Essays

After Stephen King finished The Shining, he wrote the novella “Apt Pupil” before going back to work on his Patty Hearst[1] novel, The House on Value Street. After six weeks, he once again felt the book wasn’t coming together for him.

A few  incidents in the news caught his attention. The first was an accident in Utah where canisters of a deadly chemical fell from a truck, split open, The_Stand_faceand killed some sheep[2]. If the wind had been blowing in a different direction, many people might have died. He still had the Symbionese Liberation Army on his mind, so he wondered what would happen if a disease got loose and destroyed most of the world’s population—as in the George R. Stewart novel Earth Abides, which he had read in high school, and M. P. Shiel’s The Purple Cloud—but members of the SLA were immune for some reason. Then he read about the first-ever outbreak of Legionnaires’ disease at the American Legion Convention in Philadelphia in 1976. When he heard a radio preacher utter the phrase “once in every generation the plague will fall among them,” he liked it enough to write it down and post it on his desk.

He had written about the survivors of a viral epidemic before, in the short story “Night Surf,” which was first published in Ubris in 1969 and reworked for subsequent publication in Cavalier in 1974. Though that virus was called A6, the survivors referred to it as Captain Trips. At that earlier time, he wanted to write more about the world after the apocalypse, but he didn’t feel ready to tackle such an enormous project.

He was also inspired to try to write an epic fantasy on the scale of The Lord of the Rings, but with a familiar setting. The problem with so much of high fantasy, he felt, was that readers had to learn a new language and geography to enjoy those books, whereas his would be set in contemporary America. » Read more

20 comments , , , , , , ,

Graveyard Shift by Bev Vincent

Historical Context Essays

While recent experience told King that Doubleday didn’t want to publish more than one book by him a year, they most definitely wanted no less than a book a year from him, either.

Night Shift by Stephen KingAfter he finished The Shining, he spent a couple of weeks writing “Apt Pupil” and then returned his attention to the abandoned Hearst-inspired novel, The House on Value Street. He spent another six weeks on it, but the story still wasn’t taking off. Then he started work on one of his longest novels, The Stand, and realized early on that it wouldn’t be finished on Doubleday’s schedule. So, to bridge the gap between novels, King offered them a short story collection.

Night Shift assembles twenty stories. The earliest, “Strawberry Spring,” was first published in 1968 and the most recent, “The Man Who Loved Flowers,” came out in late 1977, shortly before the collection was published in early 1978. Four stories—“Jerusalem’s Lot,” “The Last Rung on the Ladder,” “Quitter’s Inc.” and “The Woman in the Room”—were previously unpublished. Nine were reprinted from Cavalier, and two each appeared in Ubris and Penthouse. The remaining three stories first appeared in issues of Maine magazine, Cosmopolitan and Gallery.

Bill Thompson took an active hand in helping King pick the best of the available stories for this collection. Among others under consideration were “The Blue Air Compressor,” “It Grows on You,” “The Man Who Would Not Shake Hands,” “Survivor Type,” and “The Wedding Reception” (later published as “The Wedding Gig”) as well as some unnamed poems. In an editorial letter to King, Thompson referred to these rejected stories as being “too much ‘Steve-the-student writer’” stories—adding that “Survivor Type” was too grisly. He felt they could do him more harm than good.  “This is as important a book for you as a novel,” he said, believing Night Shift would generate more reviews than previous books and no “writing gaucheries” would be overlooked. King obviously listened, though he did allow a few of the stories to be collected subsequently.
» Read more

11 comments , , , , , , ,

Getting It On by Bev Vincent

Historical Context Essays

Stephen King wrote the first forty pages of the novel that would later be published as Rage in 1966, when he was a senior in high school. One source claims the original title Getting It On was inspired by the T. Rex song “Bang a Gong (Get It On).” The timing is right: In 1970, King found the incomplete manuscript of Getting It On “moldering away” in a box in the cellar of the house where he grew up, and he finished the novel in 1971, when that song was a hit.

Rage by Richard BachmanIn his essay “My High School Horrors,” King discusses his constant fear of being alone and not being able to connect with people or make friends while in high school, and of being afraid but not being able to tell people he was afraid. Rage arose from the same sense of being an outsider as did Carrie.

Getting It On was almost his first published novel. Rather than submit it to the slush pile at Doubleday, he found a current novel that was similar in tone and sent it to “the editor of The Parallax View,” hoping that would get him a step farther up the submission ladder.

As it happened, that editor wasn’t available so the manuscript was passed on to Bill Thompson, who remembers the book as “a masterful study in character and suspense, but it was quiet, deliberately claustrophobic and it proved a tough sell within the house.” In a recent interview, he says, “It was very good, but nothing really happened in it. It was mostly interior, all about how these characters
changed and evolved under pressure. For me, it was very
compelling, and it had the ring of truth to it in terms of
storytelling. It was like you were right there. You were witnessing
the entire thing.” Thompson requested three rounds of revision, but ultimately Doubleday passed on it. In his formal rejection letter, Thompson offered to send it around to other publishers.

After he had a few books out and had developed some name recognition, King asked Doubleday if they would release some of his earlier books. However, Doubleday didn’t want to saturate the market by issuing more than one new book a year. There was a belief in publishing at the time that there was a limit to how many books by an author readers were willing to buy in any given year. New books cannibalized the sales of recent ones, and everything suffered. That was the theory, anyway, and Doubleday wasn’t willing to test it.
» Read more

23 comments , , , , , , , ,

Welcome to the Overlook by Bev Vincent

Historical Context Essays

Now free to write full time, and having produced two books set in Maine, Stephen King decided to move so he could absorb a new setting. According to one version of the story, their destination was left up to chance—a blind finger-stab at a US roadmap.

In 1974, after King finished “The Body,” the family moved to a rented house in Boulder where King planned to write The House on Value Street, a novel loosely based on Patty Hearst’s kidnapping by the SLA. He struggled with it for several weeks and abandoned it after he and his wife spent a getaway weekend at the Stanley Hotel in nearby Estes Park.

They arrived on the night before the Stanley closed for the winter, and were its only guests. The mostly empty hotel struck King as the perfect setting for a ghost story. Only one entrée was being served in the dining room. The chairs were stacked atop every table except theirs. The tuxedo-clad orchestra played for them and them alone. A person could get lost in the endless hallways he wandered after Tabitha went to bed. The hotel bartender was named Grady. The clawfoot bathtub in their room was so deep someone might drown in it. That night, he dreamed of their son, Joe, screaming as a fire hose chased him. Soon, King had the framework of the story in his head. » Read more

20 comments , , , , , , , , ,

Second Coming by Bev Vincent

Historical Context Essays

After Doubleday accepted Carrie for publication, Stephen King’s editor, Bill Thompson, asked what they should consider for his follow-up. King had two books in mind, Roadwork ¹ and ‘Salem’s Lot (originally titled Second Coming ²). Thompson warned King that if they went with the vampire novel, King ran the risk of being branded a horror writer. King said that as long as the checks didn’t bounce, he didn’t care what people called him.

He’d started ‘Salem’s Lot in 1972, when life was still difficult for the family. He was writing in the furnace room of their trailer with a fourth-grade desk propped on his knees to support his wife’s Olivetti typewriter, while Tabitha tried to figure out which bills had to be paid now and which could be put off. Fighting vampires was a form of escape for King. They seemed more benign than the creditors harassing them. » Read more

25 comments , , , , , , , , , ,

How Carrie Happened by Bev Vincent

Historical Context Essays

By 1973, Stephen King had been writing for twenty years and had been publishing short stories for over a decade. He had already embarked on his long road to the Dark Tower. However, he had yet to crack into print with a novel, even though he had written over half a dozen[1].

King had established contact with an editor at Doubleday named Bill Thompson who saw promise in his writing. Getting It On (aka Rage) and The Long Walk had piqued Thompson’s interest, but even after extensive rewrites the editor couldn’t justify acquiring either, and he showed little interest in The Running Man.

King was living with his wife, Tabitha, and two kids in a doublewide trailer in Hermon, Maine, just outside Bangor. He had recently given up his $1.60 an hour job at a commercial laundry (immortalized in “The Mangler”) for a $6400 a year position teaching high school at the Hampden Academy, a job that left him with little spare time or energy. Tabitha was working at Dunkin’ Donuts and he moonlighted at the New Franklin Laundry during summer vacation. If not for his wife’s support and encouragement, he might have given up on writing. » Read more

34 comments , , , , , , , , ,
1 2